“Jesusland,” by Joelle Kidd, ECW Press, $24.95.
“Jesusland: Stories From the Upside Down World of Christian Pop Culture” (ECW Press) is Joelle Kidd’s plunge into the complex and bizarre world of religious populism.
“Admittedly, it’s a niche topic,” Kidd writes in the book’s introduction, “but not as niche as one might think. Because just as often, when I reveal the topic of my book, the other person’s eyes go wide. They know exactly what I’m talking about.”
“They, too, can still remember every lyric to their favourite Relient K song, had a subscription to Brio, or rocked a rubber Live Strong-style bracelet that instead read Jesus is King or Live for Him,” she continues. “Like anyone with experience with a niche subculture, finding a fellow former peer is a weird kind of homecoming.”
Kidd is a journalist and editor living in ɫɫ. Her writing has appeared in The Walrus, LitHub, This Magazine and Prairie Fire.
Joelle Kidd calls “Pan” “an incredible feat of literary fiction.”
What did you last read and what made you read it?
I’m currently reading “Pan” by Michael Clune and it’s blowing my mind. What made me read it was that it was (nearly forcibly) recommended to me by my dear friend Courtney, who loved it so much she brought her library copy to my book launch to give to me. It’s an incredible feat of literary fiction.
What book would your readers be shocked to find in your collection?
I don’t think I have anything very shocking in my collection except for the books I purchased to research my book (all secondhand — no money going into any right-wing evangelical pockets from me). If I ever go to someone’s house and spy “Jesus Freaks” or “Every Young Man’s Battle” on their bookshelf, I will definitely know to turn and run.
The language in “Salt Fish Girl” “is so gorgeous,” says Joelle Kidd.
When was the last time you devoured a book in one, or very few, sittings?
I know I’m late to discover it, but I recently read Larissa Lai’s “Salt Fish Girl” and couldn’t put it down. Lai’s language is so gorgeous, and while I’ve read plenty of descriptive, tactile or taste-centric writing, I don’t know that I’ve ever read a novel that paid such attention to scent.
Who’s the one author or what’s the one book you’ll never understand, despite the praise?
Stephen King. I feel safe saying that because he certainly doesn’t need my readership. People are always quoting his writing advice to me and I always hate it, so maybe I’m just bitter about that.
What’s the one book that has not garnered the success that it deserves?
I’d say this category includes most books published in the last 10 years or so! I would love to see writers get more recognition for their hard work. I’ve been seeing firsthand how much work goes into publishing and promoting a book, and I think small and medium-sized independent presses deserve much more love!
What book would you give anything to read again for the first time?
One of my pivotal reading experiences was reading Italo Calvino’s “If on a Winter’s Night a Traveler” when I was maybe 18 or 19. It begins in second-person address with a description of you, the character of the reader, opening the book and starting to read, then moves into successive chapters of false starts of different books, as the reader chases after the real story. Reading that book cracked literature open for me in some way.
“Howl’s Moving Castle,” Joelle Kidd says, “addressed struggles with identity, the question of who gets to say who you are, and what it means to grow up as a girl.”
When you were 10 years old, what was your favourite book?
Two books that come immediately to mind are “Howl’s Moving Castle” by Dianna Wynne Jones and “The Princess Diaries” by Meg Cabot. On one hand, these feel pretty dissimilar — one’s a fairy-tale-inflected whimsical fantasy and the other a diary novel about a New York teen who finds out she’s actually a European princess — but looking back, both really addressed struggles with identity, the question of who gets to say who you are, and what it means to grow up as a girl. And having reread them both in adulthood I can vouch that they are both legitimately very smart and funny.
Joelle Kidd would like to be friends with Selin from “The Idiot.”
What fictional character would you like to be friends with?
Maybe this is a weird answer because it’s autofiction, so I’m essentially saying I want to be friends with the author, but I fell in love with Selin from Elif Batuman’s “The Idiot” the second I started reading that book. In a lot of ways that book felt to me like I was reading a (smarter, more coherent) transcript of my own thoughts.
Do you have a comfort read that you revisit?
I grew up Mennonite in Winnipeg, Man., so you know I’m a Miriam Toews fan. I revisit her books often. I find her novel “Irma Voth” really compelling in thinking about the collision of culture, religion and media.
What was the last book that made you laugh or cry?
“Human Acts” by Han Kang and “One Day, Everyone Will Have Always Been Against This” by Omar El-Akkad both recently made me cry.
“All Fours” by Miranda July, “Sucker Punch” by Scaachi Koul and “Hi, It’s Me” by Fawn Parker recently made me both laugh and cry, which I would say is quite a feat.
What is the one book you wish you had written?
The first time I read Sheila Heti’s “How Should a Person Be?” I instantly began seething with envy wishing I had written it. I quickly got over that to enjoy what is clearly a brilliant and more singular book than I could have ever produced.
Reading Lili Anolik’s “Didion & Babitz” made Joelle Kidd want to hang out with Eve Babitz.
What three authors living or dead would you like to have a coffee with?
I’m always quite scared of meeting my heroes, so I think I would pick impossible historical authors for this hypothetical coffee date. Reading Lili Anolik’s “Didion & Babitz” made me want to hang with Eve Babitz, and I think if we invited Jean Genet, we could really get the party going. And let’s throw Shakespeare in there too, so we can clear up any conspiracy theories and get confirmation that he was in fact a bisexual icon.
What does your definition of personal literary success look like?
Writing is something I’ve always wanted to do with my life, so to me it feels like a small spark I’ve been fanning into flame for a long, long time. I guess my version of success means keeping the fire going: being able to devote enough space and time and energy to my artistic practice to sustain some warmth.
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